I work with porcelain shaped in plaster molds – my technique of adding paper to the clay body allows me to create ultra thin and lightweight shells. Glazes are always layered, blended and largely unpredictable. Each piece is unique in shape and texture.

The inspiration and starting point to my practice is to challenge our understanding of beauty – forms are imperfect, glazes bleeding or peeling off, edges frayed, yet i strive to find harmony in the compositions.
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The most exciting step of my process is turning the light on for the first time: revealing translucent spots, seeing the piece transform and come to life with a game of highlights, shadows and reflections.